TIT FOR TAT THE KILLING LIKE WAY OF LIFE OF EVERYDAY LIFE AS USUAL .....TIT FOR TAT ....UM DIA A DIA NORMAL A REPRESÁLIA PELA REPRESÁLIA COMO MODO DE VIDA 1550s, possibly an alteration of tip for tap "blow for blow," from tip (v.3) "tap" + tap "touch lightly." Perhaps influenced by tit 1540s, a word used for any small animal or object (as in compound forms such as titmouse, tomtit, etc.); also used of small horses. Similar words in related senses are found in Scandinavian (Icelandic tittr, Norwegian tita "a little bird"), but the connection and origin are obscure; perhaps, as OED suggests, the word is merely suggestive of something small. Used figuratively of persons after 1734, but earlier for "a girl or young woman" (1590s), often in deprecatory sense of "a hussy, minx.NO FUNDO NO FUNDO O ESQUECIMENTO DE TODAS AS GUERRAS DE FÉ É CERTO NO JOGO SIDERAL - A VIDA COMO UMA GIGANTESCA APOSTA NA MORTE CERTA MAS SEM GARANTIA DE GANHAR NA APOSTA FEITA ......OU COMO CRIAR UM TERRORISTA ....VOCÊ NÃO PRECISA SER UM GÉNIO PARA FAZER COMENTÁRIOS TÃO MAUS, MAS AJUDA MUITO ....3 MORTOS NA SEDE DO SINN FEIN UM POLÍCIA DO RUC DISPARA CAÇADEIRA E SUICIDA-SE DE SEGUIDA 5 FEB 1992 RETALIAÇÃO 5 MORTOS NUM BOOKMAKER NUMA ZONA CAT DE CATHOS ORTODOXOS CATHOLICOS É GREGO BOOKMAKER DI CABALOS DE CORRIDA AI NO CORRIDA ....E 10 FERIDOS UM DELES COM UMA PATA ESFOLADA - AO APOSTAR NO ULSTER PERDE-SE MAIS DO QUE MONEY YOU LOSE YOUR LIFE AND YOU LEARN NOTHING IN THE PROCESS .

1540s, a word used for any small animal or object (as in compound forms such as titmouse, tomtit, etc.); also used of small horses. Similar words in related senses are found in Scandinavian (Icelandic tittr, Norwegian tita "a little bird"), but the connection and origin are obscure; perhaps, as OED suggests, the word is merely suggestive of something small. Used figuratively of persons after 1734, but earlier for "a girl or young woman" (1590s), often in deprecatory sense of "a hussy, minx.TWO ULSTER FREEDOM FIGHTERS KILL FIVE AND FIRE OVER ONE GUNMEN FROM LAREDO BUT ONLY PUT IN DOWN HIS PAW FICOU blue and red you know  C'EST A CRAONNE SUR LE PLATEAU - SOUDAIN DANS LA NUIT ET DANS LE SILENCE C'est nous les sacrifiés  sommes tous condamnés

DOS SONHOS IMPERIAIS AFOGADOS EM MARÉS DE PETRÓLEO OU DE OURO NEGRO PARA OS AFOGADOS NAS MARÉS NEGRAS DÁ NO MESMO MEXIOLÂNICA DO TUDO A ESMO E FÉ NOS ATEUS QUE OS MEUS RECOMENDAM-SE - THE RISE AND FALL OF THE ISLAMIC STATE OF MIND - SAMBATA 2016 UMgqibelo, Septhemba 29, 2012 THOU WHO DIDST WAKEN FROM HIS SPRING DREAMS THE BLUE MEDITERRANEAN LULLED BY CRYSTALLINE STREAMS THE ARAB POWER -THE RISING OF THE WAHHABI EMPIRE THE ARAB HOUSE WAS REBORN NO ROSES, NO HEADS, NO WINE NO PEEPING IN, NO SCORN NO PORKY PIG, NO EVIL VINE I REMEMBER I REMEMBER THE RISE OF THE WAHHABI EMPIRE DARK AND HIGH AGAINST THE SKY THEY CRUSH THE FLOWERS IN THE SHIRE AND THEY NOT LEND,THEY DONT BUY AND FARE THEE WHEEL A WHILE WHILE THE SANDS RUN THE MILE THERE'S NOT DEMOCRACY THAT SPRINGS ARE ONLY DEAD MEN THAT SINGS WHEN ANGELS SPREAD THEIR WINGS THE WAHHABI EMPIRE IS RISING THEY DEARLY DISLIKE THE WEST AND THIS IS THE ARAB SPRING THE LASSIE YOU LOVE BEST AND DROVE DE DRONES OF WAR AND KILL THE REST .....DOS INVESTIMENTOS IMPERIAIS EM RUÍNAS OU MESMO RUINOSOS DO IMPÉRIO BRITÂNICO EM ÓPIO E EM CHÁ E EM ARMAS PARA EXTERMINAR INFIÉIS QUE NASCIAM MAIS DEPRESSA QUE A VELOCIDADE DE EXTERMÍNIO - OS INGLESES INVESTIRAM NO PETRÓLEO IRAQUIANO DO GULBENKIAN E AMIGOS DESDE 1940 TRÊS SECÇÕES DE CARROS BLINDADOS DA ROYAL AIR FORCE PARA AJUDAR A LIQUIDAR A OPOSIÇÃO A TAL EXTRAÇÃO QUE NÃO PODIA SER LIQUIDADA POR VIA AÉREA E INVESTIU 2 BATALHÕES DE INFANTARIA INDIANA PARA CALCORREAR O DESERTO NO SOL DO MEIO-DIA A TREINAR TIRO AO ALVO EM ALVOS VIVOS E O INVESTIMENTO FUNCIONOU TÃO BEM QUE O REPETIRAM BUÉ DE VEZES

ARGENTINA INVESTE EM BAIXA

DE IMPOSTOS E EM IMPRESSÃO DE NOTAS

PARA SUBSTITUIREM OS IMPOSTOS

IRLANDA INVESTE EM SUBSTITUIR

OS INDIANOS POR IRLANDESES

NOS ATENDIMENTOS DE CHAMADAS

DA MICROSOFT NAS VENDAS VIRTUAIS

E NA INDÚSTRIA QUÍMICA À BHOPAL

DAYS OF DEMOCRATIC RAGE ....GOD SAVE THE DEMOCRATIC QUEEN ....FUCK, KILL THE FINNEAN BASTARDS GRITA O SARGENTO DOS R.U.C DANDO UM PONTAPÉ NUM MANIFESTANTE UMA RUIVA IRISH RED RIA COM UM RISO DE HIENA COM TOSSE O FINNEAN BASTARD ESCORRIA UM FIOZINHO DE SANGUE DA ORELHA E O PESSOAL IA PASSANDO AO LADO COMO SE FOSSE NORMAL ....É ISTO A DEMOCRACIA MAIS VELHA DA EUROPA? SE É DEMOCRACIA PORQUE AINDA TÊM REI? PORTUGAL É UMA DITADURA CORPORATIVA DEMOCRÁTICA SEMI-PRESIDENCIAL JÁ THE UNITED KINGDOM É UMA SEMI-DEMOCRACIA REAL ...DEMOCRACIAS HÁ TANTAS MEU PALERMA VOU PÔR-TE AS BOLAS AO CONTRÁRIO GRITA O SARGENTE....JÁ OUVI ISTO PENSOU O GAJO ...MAS ACHO QUE FOI UMA GAJA A DIZER AO NAMORADO O QUE LHE IA FAZER ...SE CALHAR O SARGENTO É GAY E ESTÁ A APROVEITAR-SE DO MOMENTO PENSOU A GENTE ,,,E TRANQUILAMENTE ESPERÁVAMOS QUE O GAJO FOSSE MASOQUISTA QUE AQUILO DEVIA DOER À BRAVA ,,,MESMO NUMA DEMOCRACIA CLARO...

I HAVE BEEN MISTER BEAN 

AT THE DUNNES IN BEL FEIRST 

NOT CON FOUND WITH DUNE AT BELFAST

GLASS ALL OVER A BIG BLOW

IN THE CITY HALL

BIG HOLES IN A LOT A LOT BY LOT 

OF BUILDINGS 

I HAVE BUY ONE KILO OF ITALIAN KIWIS

WITH ONLY 99 P

DERRIÈRE IS IS ISIS BY OSIRIS DERRIÈRE LES MOTS ...THE PERIODIC TABLE IS BREAKING BAD .....EUROPEAN ARGON VON ARGONAUTS THEY ARE THE SO CALLED INERT PEOPLE THAT PRODUCES GASES....THEY ARE INDEED SO INERT, SO SATISFIED WITH THEIR CONDITION THAT THEY DON'T REACT WITH THE ISIS ELEMENTS BY OSIRIS AND GOING OUT FROM INERT TO EXTINCT ...Là, Derrière nos voix, Est-ce que l'on voit nos coeurs Et les tourments, à l'intérieur Ou seulement la la, là, Derrière nos voix, Est-ce que l'on voit nos coeurs Et les tourments, à l'intérieur Ou seulement la la la, Entendez-vous dans les mélodies, Derrière les mots, derrière nos voix Les sentiments, les pleurs, les envies Qu'on ne peut pas dire, non non non Entendez-vous l'amour caché là, Derrière les mots, derrière les voix, Et puis après quand l'amour s'en va Love you're on my mind You make me see You make me blind It is, so, so... Là, Derrière nos voix, Est-ce que l'on voit nos coeurs Et les tourments, à l'intérieur Ou seulement la la la,

HIS HE ISIS BY OSIRIS  THE SAME SANE 

DEMENTED ELEMENT 

THAT FIAT LUX IS

BURNING IN THE SUN 

AND FROM WHOSE CONDENSATION 

THE UNIVERSE AND ALL IS VIRGIN'S 

IS FORMED AND IS FORMATTED 

IN ISIS ETERNAL SILENCE

IS ETERNAL SILENCE INCORPORATED 

FROM IS TO ISIS LAMBS AND LAMBDA'S

E LAMBADAS NON NON 

HINO DA RAZZIA E DA GUERRA DO FOSSADO - MORRA A BITUREIRA DE MAFOMA (DE AVITUREIRA ABUTRE ....VULTUR DE MAFOMA POR MINHA FÉ ÇA CÉST KULTUR)

NESSE MEZ À SEPTIMANA

OS ANIMAIS DA GARDUNHA

DESCEM À TERRA DA MOIRAMA

GOLPELHAS RAPOZAS ZORRAS

BALDOS CAÇAM-NAS À UNHA

ENTRE VIVAS E ENTRE MORRAS

ZEVROS OU ZEVRAS ZEVREIRA (ZEBREIRA ZEVRO É NOME DE CARNÍVORO ....)

A TERRA É NOSSA TODA INTEIRA

VERSÃO DO SÉCULO XVIII DO XII? XI? .....

PLAY THE GAME MORONS PLAY THE GAME - É UM SOM VAGO O RUMOR DA GUERRA UM SOM QUE É PAGO QUE SUAVEMENTE NOS ENTERRA A PAZ É DE CIRCUNSTÂNCIA E A GUERRA MATA À DISTÂNCIA A GUERRA? ESTÁ PARA DURAR A PAZ? ESTÁ JÁ A PASSAR

dijous, 17 abril de 2014

THE WEAPONS DON'T KILL PEOPLE - TRADERS IN TRADING GAMES KILL PEOPLE - PLAY THE GAME YOU FUZZY WUZZY PEOPLE - BORDER'S SHIFT AND ALASKA IS A LOST LAND FOR THE CZAR OF ALL RUSSIA'S GREAT AND SMALL

Fuzzy-Wuzzy"

(Soudan Expeditionary Force)
 We've fought with many men acrost the seas,
 An' some of 'em was brave an' some was not:
The Paythan an' the Zulu an' Burmese;
 But the Fuzzy was the finest o' the lot.
We never got a ha'porth's change of 'im:
'E squatted in the scrub an' 'ocked our 'orses,
 'E cut our sentries up at Suakim,
 An' 'e played the cat an' banjo with our forces.
So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in the Soudan;
 You're a pore benighted 'eathen but a first-class fightin' man;
We gives you your certificate, an' if you want it signed
We'll come an' 'ave a romp with you whenever you're inclined.
We took our chanst among the Khyber 'ills,

 The Boers knocked us silly at a mile,
The Burman give us Irriwaddy chills,
 An' a Zulu impi dished us up in style:
 But all we ever got from such as they
 Was pop to what the Fuzzy made us swaller;
 We 'eld our bloomin' own, the papers say,
 But man for man the Fuzzy knocked us 'oller.
Then 'ere's to you, Fuzzy-Wuzzy, an' the missis and the kid;
 Our orders was to break you, an' of course we went an' did.
 We sloshed you with Martinis, an' it wasn't 'ardly fair;
 But for all the odds agin' you, Fuzzy-Wuz, you broke the square.
 'E 'asn't got no papers of 'is own,
'E 'asn't got no medals nor rewards,
So we must certify the skill 'e's shown In usin' of 'is long two-'anded swords:
When 'e's 'oppin' in an' out among the bush
With 'is coffin-'eaded shield an' shovel-spear,
An 'appy day with Fuzzy on the rush
Will last an 'ealthy Tommy for a year.
So 'ere's to you, Fuzzy-Wuzzy, an' your friends which are no more,
 If we 'adn't lost some messmates we would 'elp you to deplore.
 But give an' take's the gospel, an' we'll call the bargain fair,
 For if you 'ave lost more than us, you crumpled up the square!
 'E rushes at the smoke when we let drive,
An', before we know, 'e's 'ackin' at our 'ead;
 'E's all 'ot sand an' ginger when alive,
An' 'e's generally shammin' when 'e's dead.
 'E's a daisy, 'e's a ducky, 'e's a lamb!
 'E's a injia-rubber idiot on the spree,
 'E's the on'y thing that doesn't give a damn
 For a Regiment o' British Infantree!
 So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in the Soudan;
 You're a pore benighted 'eathen but a first-class fightin' man;
 An' 'ere's to you, Fuzzy-Wuzzy, with your 'ayrick 'ead of 'air -
- You big black boundin' beggar -- for you broke a British square!

So long as 'neath the Kalka hills
  The tonga-horn shall ring,
So long as down the Solon dip
  The hard-held ponies swing,
So long as Tara Devi sees
  The lights of Simla town,
So long as Pleasure calls us up,
  Or Duty drivese us down,
    If you love me as I love you
    What pair so happy as we two?

So long as Aces take the King,
  Or backers take the bet,
So long as debt leads men to wed,
  Or marriage leads to debt,
So long as little luncheons, Love,
  And scandal hold their vogue,
While there is sport at Annandale
  Or whisky at Jutogh,
    If you love me as I love you
    What knife can cut our love in two?

So long as down the rocking floor
  The raving polka spins,
So long as Kitchen Lancers spur
  The maddened violins,
So long as through the whirling smoke
  We hear the oft-told tale --
"Twelve hundred in the Lotteries,"
  And Whatshername for sale?
    If you love me as I love you
    We'll play the game and win it too.

So long as Lust or Lucre tempt
  Straight riders from the course,
So long as with each drink we pour
  Black brewage of Remorse,
So long as those unloaded guns
  We keep beside the bed,
Blow off, by obvious accident,
  The lucky owner's head,
    If you love me as I love you
    What can Life kill of Death undo?

So long as Death 'twixt dance and dance
  Chills best and bravest blood,
And drops the reckless rider down
  The rotten, rain-soaked khud,
So long as rumours from the North
  Make loving wives afraid,
So long as Burma takes the boy
  Or typhoid kills the maid,
    If you love me as I love you
    What knife can cut our love in two?

By all that lights our daily life
  Or works our lifelong woe,
From Boileaugunge to Simla Downs
  And those grim glades below,
Where, heedless of the flying hoof
  And clamour overhead,
Sleep, with the grey langur for guard
  Our very scornful Dead,
    If you love me as I love you
    All Earth is servant to us two!

By Docket, Billetdoux, and File,
  By Mountain, Cliff, and Fir,
By Fan and Sword and Office-box,
  By Corset, Plume, and Spur
By Riot, Revel, Waltz, and War,
  By Women, Work, and Bills,
By all the life that fizzes in
  The everlasting Hills,
    If you love me as I love you
    What pair so happy as we two?

SINUHE EGYPTILÃINEM -THE AEGYPTIAN - A NOVEL IN MORSI....

The Egyptian is the first and the most successful, of Waltari's great historical novels. It is set in Ancient Egypt, mostly during the reign of Pharaoh Akhenaten of the 18th Dynasty, whom some have claimed to be the first monotheistic ruler in the world.

The protagonist of the novel is the fictional character Sinuhe, the royal physician, who tells the story in exile after Akhenaten's fall and death. Apart from incidents in Egypt, the novel charts Sinuhe's travels in then Egyptian-dominated Syria (Levant), in Mitanni, Babylon, Minoan Crete, and among the Hittites.

The main character of the novel is named after a character in an ancient Egyptian text commonly known as The Story of Sinuhe. The original story dates to a time long before that of Akhenaten: texts are known from as early as the 12th dynasty.

Supporting historical characters include the old Pharaoh Amenhotep III and his conniving favorite wife, Tiy; the wife of Akhenaten, Nefertiti; the listless young Tutankhamun (King Tut), who succeeded as Pharaoh after Akhenaten's downfall; and the two common-born successors who were, according to this author, integral parts of the rise and fall of the Amarna heresy of Akhenaten: the priest and later Pharaoh Ay and the warrior-general and then finally Pharaoh, Horemheb. Though never appearing onstage, throughout the book the Hittite King Suppiluliuma I appears as a brooding threatening figure of a completely ruthless conqueror and tyrannical ruler. Other historical figures, the protagonist has direct dealings with, are: Aziru (ruler of Amurru kingdom), Thutmose (sculptor), Burna-Buriash II (Babylonian king), and, under a different name, Zannanza, son of Suppiluliuma I. Zannanza's bride is a collage of at least three historical figures: herself, first wife of Horemheb and, by him, mother of Ramesses I. Historical Horemheb died childless.

Although Waltari employed some poetic license in combining the biographies of Sinuhe and Akhenaten, he was otherwise much concerned about the historical accuracy of his detailed description of ancient Egyptian life and carried out considerable research into the subject. The result has been praised not only by readers but also by Egyptologists.

Waltari had long been interested in Akhenaten and wrote a play about him which was staged in Helsinki in 1938. World War II provided the final impulse for exploring the subject in a novel which, although depicting events that took place over 3,300 years ago, in fact reflects the contemporary feelings of disillusionment and war-weariness and carries a pessimistic message of the essential sameness of human nature throughout the ages. The threatening King Suppiluliuma has many of the overtones of Hitler.

Such a message evoked a wide response in MORSI.....